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Acoustic music has always been popular and has been around for many years. The art of acoustic music has been performed throughout the centuries, and throughout the world. So what is it about acoustic music that makes it so enjoyable and admired?

Music that is made from using instruments without using any form of electronic means, can be considered as acoustic music. This type of music started to get a name for itself, after the arrival of electrical instruments such as the electric guitar. Of course the advent of these electrical instruments is relatively new compared to the amount of time that music has been played for, therefore, you can almost class all musical instruments and all music as acoustic. If electrical instruments very never invented, acoustic music would be all music and may not have had a specific term named after it.

However acoustic songs can be produced and edited through electrical means and if there is a gig or concert being played by an acoustic artist, very often, the sound is amplified using electronic amplifiers. But it has to be done caringly to maintain the natural sound accurately. Electronic amplifiers are only used to increase the volume of the sound from the acoustic instrument.

One of the most challenging humps to get over for many beginning salsa dancers is to learn to recognize the first beat of the music and actually count the music properly to keep on the correct salsa timing . Yet, rhythms are often innate in us. Just like we can become aware of our heart beat, we can become to be able to recognize the salsa rhythm.

However, just like it is actually much harder to count your pulse, learning to count and understand the direction of the salsa music is much harder. But with proper guidance counting salsa timing will become easy as well. Here is how to do it.

Tip # 1 Listen To The Cow Bell To Find The Salsa Rhythm

The Midnight Funk Association was the 12 a.m. segment of the legendary late night Detroit radio DJ Electrifying Mojo, a.k.a Charles Johnson.
An entire generation of faithful fans and listeners from the late 70’s through the early 90’s recognize the radio show for shaping the musical tastes of listeners in the Metropolitan Detroit Area, Northern Ohio, and Eastern Ontario Canada.

Mojo broke many artists in the Detroit market including Prince, The J. Giles Band, The B-52’s and turned audiences on to classic legends like Pink Floyd and Peter Frampton, artist previously unheard on radio stations that were labelled as “black”, or “R and B” .

Nightly at 12 a.m., Mojo called to order The Midnight Funk Association, an homage to some of the great funk bands of the day and of all time. He frequently played original long versions, and entire sides of albums by George Clinton and Parliament / Funkadelic, Prince, Rick James and many other all time great bands and artists, as well as local groups like Ready For the World.

Attracting more fans. Admit it, that’s what music marketing is all about — getting more people to come to your shows and buy your CDs. And hopefully, getting a lot more people to do those things.

Why else do you work so hard to travel and play as many places as you can? For what other reason do you meticulously write and record songs? I don’t believe the reason is so you can practice and keep up your chops in obscurity. It’s not because you want to impress influential managers or A&R people. You work hard because you know you have something of value to offer … and you want to reach as many people as possible with your music.

Marketing is the thing that helps you reach that goal. But marketing is also a subject that confuses a lot of musicians. Songwriters and band members the world over know they need to promote themselves. But many don’t know where to start, much less know how to continue effectively.